Oscar Boyson’s feature debut uses dark comedy and mounting tension to explore what happens when the need to be seen becomes something far more dangerous.
At 22, Kane Parsons proves he can create terror from fluorescent lights, empty hallways, and pure unease. The harder task is giving that terror a purpose.
The sci-fi thriller sprawls under the weight of its own ambitions, but Steven Spielberg still finds moments of wonder, suspense, and cinematic magic few directors can match.
John Travolta turns a childhood memory and lifelong passion for flying into a gentle period drama whose warmth often outweighs its storytelling.
What begins as a supernatural love story becomes a deeply unsettling examination of consent, control, and (shocker!) obsession.
Mark Wahlberg and Paul Walter Hauser’s World Cup farce revives the spirit of mid-budget studio comedies, but Peter Farrelly’s latest mistakes noise, repetition, and celebrity presence for actual chemistry.
Antoine Fuqua’s long-awaited Michael Jackson biopic reduces one of pop music’s most complicated figures to a glossy impersonation stitched together from hit songs and approved mythology.
Kristoffer Borgli's dark comedy starring Zendaya and Robert Pattinson makes the audience complicit as their relationship falls apart.
Robert Aramayo's BAFTA-winning performance anchors a film that walks the line between comedy and heartbreak without tumbling down.
Barbie Ferreira anchors Chandler Levack's franglais romantic comedy about falling into Montreal's 2011 indie scene and never quite finding a way out.
Bart Layton's sleek crime thriller starring Chris Hemsworth, Mark Ruffalo, and Halle Berry isn't reinventing the genre. That's a good thing.
Vince Vaughn plays two versions of the same gangster, and that's barely the wildest thing about it.
