A two-year collaboration between Mona Fine Joaillerie and Les Grands Ballets Canadiens explores the shared language of movement, transformation, and craft.
John Travolta turns a childhood memory and lifelong passion for flying into a gentle period drama whose warmth often outweighs its storytelling.
The festival returns to the Peel Basin June 11 to 14, 2026.
A modern Vietnamese bistro from three longtime hospitality veterans, where diaspora identity and Latin American influences shape a distinctly Montreal menu.
What begins as a supernatural love story becomes a deeply unsettling examination of consent, control, and (shocker!) obsession.
June in Montreal is essentially festival season moving at full throttle: here's everything worth marking on your calendar this month.
Away from the dining room, Fred Morin’s studio is filled with paintings, sculptures, found objects, and the ideas that shape his restaurants.
Each year, Dômesicle transforms the dome into an immersive party. This summer, the SAT's flagship electronic music series returns with 11 nights showcasing the very best of local and international electronic music scenes.
Canada placed 14 restaurants on the 2026 list, five of them in the top ten.
![The Bulletin: A Trophy Parade, Rocks 'n' Fossils, Pyjamas in the Museum, and Taking Back the Streets [Issue #183]](/_next/image?url=https%3A%2F%2Fcdn.sanity.io%2Fimages%2F2edxk5v7%2Fproduction%2F3734b1e6b2988882e7b0224a87f060c6811a8ff3-3072x2306.jpg&w=2560&q=75)
The Bulletin is a collection of what's happened, what’s happening, and what’s to come in and around Montreal.
From the Plateau to Verdun, Montreal’s annual pedestrian street season returns in 2026 with new additions, missing favourites, and nearly seven kilometres of car-free city life.
Four days of ramen, sake, Studio Ghibli cosplay, and a Shiba Inu runway at the Peel Basin.
As Mount Royal Park turns 150, the story of its creation reveals how Olmsted's vision for the mountain was compromised almost from the very beginning.
Montreal studio Vives St-Laurent's latest work shows that sometimes the smartest move is knowing what not to touch.
Artist Rich Loen spent four years building a room of 100 wired bells that transforms births, deaths, harvests, and human behaviour into a performance that never repeats itself.
Mama Khan's Abdul Raziq Khan wouldn't have it any other way.
