LATEST STORIES

A new format, a first-time headliner, and the year the genre question stopped mattering in Montrey'all.

Philippe Charlebois-Gomez turns Expo 67 streetlamps, fan guards and ski poles into handcrafted fixtures. Now he’s asking whether a studio built on one-offs can become a system.

Ahead of MUTEK, four Quebec studios open up about what built the province's digital arts scene—and why the world might be noticing before Montreal does.

On the origins of Expo’s grand humanist theme, and how it lived on for 17 strange summers after the fair ended.

The Bulletin is a collection of what's happened, what’s happening, and what’s to come in and around Montreal.

If its surrounding rivers are clean enough to swim in, why does Montreal offer so few places to swim, eat or linger by the water?

For his first leading role, Sessa plays Bourdain before the fame by bringing curiosity—not nostalgia—to the part.

Montreal plans to bring the Village’s rainbow balls back in 2030, reviving an installation its late creator chose to retire alongside a debate he never quite settled.

Owner Jeremy Anderson calls himself a steward rather than a creator, and likens the room to a reforestation project: build the right conditions, and the culture grows back.

The case for staying in a city that doesn't work.

Where to go when you need a break from the city.

Once the opening buzz fades and the lists move on, some restaurants enter their most interesting years.

The Bulletin is a collection of what's happened, what’s happening, and what’s to come in and around Montreal.

Local restaurateurs are pushing beyond bibimbap and bulgogi. Whether the city is ready to follow is another question.

Looking back on three days at Parc Jean-Drapeau with 151,000 people and dozens of artists.

From a donated home, Christopher Curtis and Savannah Stewart run an operation that isn't replacing legacy media so much as outliving it.